Watched and Read - September 28, 2025

Here’s what I watched and read last week:

MOVIES

Chinatown (1974) is one of the great films of the New Hollywood wave. It helped usher in the neo-noir era—a term used because filmmakers in the 1940s and 1950s didn’t realize they were creating what would later be called “film noir.” The label “noir” came from French critics, most notably Nino Frank. I still consider Robert Towne’s Chinatown one of the best screenplays ever written.

Needful Things (1993). Three hours and 8 min version. It was hard to tell exactly what was new, but I did enjoy it more than the theatrical cut. I’ve read King’s novel, which I like a lot—though the ending is a bit messy. Perhaps that has to do with the madness that takes over Castle Rock in the final part. King’s multi-character perspective novels are some of my favorites—The Stand and Under the Dome, for example. Needful Things definitely fits into that storytelling style. I thought the extended cut did a better job of capturing the ensemble cast than the theatrical version. It would’ve been interesting if the story had taken place over the course of just one day. That might have made it even more powerful. I also appreciated that they didn’t explain why the devil shows up in Castle Rock—it’s more unsettling that way. They left out Ace Merrill (the villain from The Body) from the novel. I thought he might show up in the extended version, but I’m guessing that would’ve made the film way too long. The standout performance was J.T. Walsh—he pretty much stole the show. Overall, a fun film to kick off the Halloween season!

Devo (2024) is a good documentary. However, I wished it had gone more in-depth about how the band got into songwriting and how they learned to play their instruments. I also would have loved to learn more about what the other musicians—besides Mark Mothersbaugh—did after Devo during their hiatus. Still, it’s definitely worth checking out. Director Chris Smith has made some great documentaries, especially American Movie (1999), which is one of my favorites.

Triumph: Rock and Roll Machine (2021) is a very good documentary about the rock band from Toronto. It was directed by Sam Dunn of Banger Films, who has made many great documentaries—especially in the metal genre. What I particularly liked about this one was the fan-focused aspect.

Five Corners (1987) – I watched this on Criterion and thought it was a very good film. It was written by John Patrick Shanley, who also wrote Moonstruck (1987) and Doubt (2008). The movie features a great ensemble cast, and John Turturro delivers a chilling performance as a particularly scary character. There were some genuinely shocking moments that caught me off guard.

 

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TV

Episode 3 of Task is beginning to take on a labyrinth-like structure, effectively blending suspense, noir, and whodunit mystery.

Black Rabbit is messy (maybe its supposed to be), but I’m still enjoying it.

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BOOKS

Departure 37 (2025) by Scott Carson is an excellent sci-fi novel. The story blends elements of The Twilight Zone with Cold War-era paranoia, offering thoughtful reflections on technology that resonate with both the past and the present. I also recommend Carson’s other two books, The Chill and Lost Man’s Cave.

 

Random Reviews - September 7, 2012 - The Dead and 49th Parallel

More random reviews...why not?

The Dead, John Huston, 1987

John Huston's last three films before his death in 1987 is a tour de force.  Under The Volcano (1984), Prizzi's Honor (1985) and The Dead - three outstanding films made respectively within a period of three years.  I highlight his final film - The Dead which is based on James Joyce's short story from The Dubliners. The film closely follows Joyce's story, providing viewers with vignettes of the yearly gathering of the Morkan sisters in January of 1904, which include singing and dancing, a piano performance, and recitation of poetry. There are many wonderful moments in The Dead, particularly the serving of the goose and all the different courses of foods during dinner.

The Dead is a beautifully slow and meditative non-narrative film.  It takes place when the western world was beginning to witness social and economic changes due to modernity.  Of course, Joyce's style of writing would later become associated with the broad movement of modernism. The film hits upon a number of issues, such as the political tension between Ireland and England, conversation about opera, discussion of about literature and clothing fashion of the time. There is also a sense of loneliness that pervades the story.  We eventually find out that what lies beneath this gathering is an unspoken tension between Gabriel and his wife Gretta, performed wonderfully by Huston's daughter Anjelica Huston, who had recently won a supporting Oscar for her supporting role in Prizzi's Honor.    

This is extraordinary filmmaking from man who began his career in the golden age of Hollywood - a time when a film like The Dead and its non-narrative style of would have been hard to find. The ending of The Dead has to be one of the most beautiful and power passage of prose I have ever read.   And Huston wonderfully captures this ending sequence of Gabriel self-reflecting on the fleeting nature of memories, the cosmos, "and the living and the dead."

49th Parallel, Michael Powell, 1941

This is a compelling propaganda war film made by one of Britain's finest filmmaker, Michael Powell, who also directed films with Emeric Pressburger, such as A Canterbury Tale (1945), Black Narcissus, (1947), The Red Shoes (1948), and Pepping Tom (1960).   

After the sinking of their U-boat in the Hudson Bay, six Nazi sailors must evade capture as they travel across Canada. They meet different groups of people that challenge their Nazi rhetoric. One scene in particular is the Nazi speech by Peter (Anton Walbrook), the leader of the group, who tries to spread Nazism upon the peaceful Hutterite community--a group of people who happened to be of German descent.  Peter's speech literally scared me to the bones.   

This is a powerful film made during the time before U.S. entered the war. The final sequence of the film clearly alludes to this - a strong message to America to break with its isolationist stance. The poignancy of film's title addresses this as well: the geographical divide between the U.S. and Canada (the 49th parallel) - a divide that may have had no meaning or purpose for both countries if America did not join the Allies.

Most of the film was shot on location, which gives the film a realist quality.  Laurence Olivier plays a great role as Johnnie the trapper. 49th Parallel also deservedly won the best screenplay Oscar in 1941. This is clearly one of top films of the war genre.  It is great that Criterion released this one.