Watched and Read - April 19, 2026

 Here's what I watched and read last week...

 

 

MOVIES

Sentimental Value, (2025), directed by Joachim Trier, is a very good movie with excellent performances from Stellan Skarsgård, Inga Ibsdotter Lilleaas, and Elle Fanning. I particularly enjoyed the film’s melodramatic mood.

Spider-Man: Into The Spider-Verse (2018), directed by Bob Persichetti, Peter Ramsey and Rodney Rothman, is one of my favorite animated films. It’s a great story about about finding yourself - for both young and old. Anyone can wear the mask.

The International (2009), directed by Tom Tykwer, is a good movie, with some good action, particularly the Guggenheim Museum sequence. But there are some questionable moments, such as Louis (Clive Owen) walking through traffic with a gun. The cars drive by him as if this were an everyday occurrence.

High and Low (1963), directed by Akira Kurosawa, is an excellent film by one of cinema’s greatest directors. Kurosawa did not direct many contemporary Japanese films, which makes this one fascinating, especially given that it is adapted from a Ed McBain novel. A must-see if you are exploring international cinema.

Take Aim at the Police Van (1960), directed by Seijun Suzuki, is a good Japanese film noir. The style is fast-paced and gritty. Criterion has curated a number of these films, which I plan to watch. Suzuki is known as one of the central figures of the Japanese New Wave.

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TV

Pistols (2022), directed by Danny Boyle. I’ve watched two episodes so far. What a great miniseries on the Sex Pistols. Anthony Dod Mantle’s cinematography is amazing. Pistols reminds me a lot of 24 Hour Party People (2002). A great miniseries so far.

I am also catching up on the new season of Bob’s Burgers. I loved the 300th anniversary episode where they tell the story of how Linda and Bob started the restaurant.

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BOOKS

I read a very good chapter on Hitchcock’s Frenzy by Luke Robinson. The chapter is from One Shot Hitchcock, where each writer analyzes one shot from one of Hitchcock’s films. Robinson focused on a shot of Barbara (Brenda Blaney) before she is murdered by Rusk (Barry Foster). Robinson provides some very interesting observations, particularly Hitchcock’s use of silence and its connection to death.

 

Watched and Read - April 12, 2026

Here's what I watched and read last week....

 

MOVIES

Nuremberg (2025), directed by James Vanderbilt, is a good movie with great performances by Michael Shannon and John Slattery. But Russell Crowe’s performance as Hermann Göring is the highlight of the movie, and it’s frightening! I think Rami Malek was miscast as Douglas Kelley.

Out of the Past (1947), directed by Jacques Tourneur, is a classic noir. I love the cinematography and the labyrinthine plot. Great performances by Robert Mitchum, Jane Greer, and Kirk Douglas. A must-see classical Hollywood film.

Yeast (2008), directed by Mary Bronstein. I caught this on the Criterion Channel. Yeast is considered a mumblecore movie. Criterion, however, does not list it as mumblecore in the description. Are they embarrassed by the term? Anyway! Mumblecore got attached to a bunch of indie filmmakers at the turn of the millennium. The Duplass brothers, Joe Swanberg, Andrew Bujalski, and Greta Gerwig all came out of this cool, little film movement. Yeast’s minimalist plot, emphasis on character, and realism definitely give the film a mumblecore vibe. Although, at times, the film feels amateur, I strangely enjoyed watching it.

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TV

Sebastian Maniscalco’s comedy special, It Ain’t Right, is really funny, especially his bits on Amazon deliveries and turning 50. It is streaming on Hulu.

Billy Idol Should Be Dead (2025). I was a little mixed on this documentary. I was hoping they would have gone more into the music and his band members rather than Idol’s drug issues. But then I should have known by the title of the documentary.

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BOOKS

I finished reading The Last Kings of Hollywood by Paul Fischer and thought it was an excellent read. I’ve read a lot of books and articles about New Hollywood cinema, and this was definitely one of the best. I think Fischer’s book and Peter Biskind’s, From Easy Rider to Raging Bull, are great companion pieces on that era in cinema.

I read Ray Bradbury’s short story, “The Lost City on Mars.” It is definitely one of the top stories in the collection, I Sing the Body Electric!, which I am almost done reading.

I also finished Dean Koontz’s, The Friend of the Family. It’s an excellent read and beautifully written. The story has a little bit of a Charles Dickens vibe. I highly recommend it.

 

 

Watched and Read - April 5, 2026

 Here's what I watched and read last week...

 

MOVIES

Project Hail Mary (2026), directed by Phil Lord and Christopher Miller, is definitely one of the best films I’ve seen this year so far. I love the novel, and I thought they did a great job adapting it for the screen. Ryan Gosling is amazing. Definitely check out the film on the big screen - the special effects are excellent.

The Fantastic Four: Four Steps (2025), directed by Matt Shakman, is a very entertaining film from Marvel's Cinematic Universe. I have not seen all of the MCU films since the third phase, but I really enjoyed Fantastic Four. I particularly like the film’s 1960s look and style. The film even piqued my interest in the next Avenger films.

American Graffiti (1973), directed by George Lucas, is one of my all time favorite movies. The story takes place over one night and is confined mostly to the cars cruising the strip. The film does not follow a traditional narrative structure. Rather than focusing on one main character, the film crosscuts between four characters, Curt, Steve, John, and Kerry. If there is any star of the film it is the music. As much as I love Star Wars, I wish Lucas made more of these types of films.

Michael Clayton (2007), directed by Tony Gilroy, is an excellent thriller about a fixer, played by George Clooney, who works for a big law firm in New York City. The performances from Clooney, Tilda Swinton, and Tom Wilkinson are outstanding. Some of the movie was filmed where I grew up in the Hudson Valley. One of my favorite scenes takes place at the Moodna Viaduct. I highly recommend it.

Kiki’s Delivery Service (1989), directed by Hayao Miyazaki, is a great one from the legendary Japanese animator. I teach this for my film course and always enjoy watching it. I particularly love the film’s European architecture.

Is This Thing On? (2025). I was mixed on Bradley Cooper’s new movie. The story was a little too jumpy for me. And some of the dramatic moments were not believable. But I did like the way they shot the movie. 

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TV

I Am Chris Farley (2015) is a very good documentary that chronicles Farely’s beginning as a comedian at Second City to SNL and his final years in Hollywood. Farley was an amazing talent. I can watch his SNL skits over and over.

I am catching up on the new seasons of Family Guy and Futurama. Both are starting out very good. I even went back to American Dad!, which is on Fox again. The first episode of the new season is fun. I got burned out on American Dad! when I watched it on TBS. But I really enjoyed what I watched from the new season.

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BOOKS

I read a very good article on teen and youth films by Timothy Shary. Shary provides a great overview of the history of young people in cinema. He offers different sub-genre of teen movies that begin with what he terms “The Multiplex Generation,” which is really about Generation X and older Millennials. The article ends in the early 2000s. But his book, Teen Movies: A Century of American Youth, explores more recent Generation Z movies.

 

 

Watched and Read - March 29, 2026

 

Here’s what I watched and read…

MOVIES

The Long Walk (2025), directed by Francis Lawrence, is not a bad adaptation of Stephen King’s novel. I enjoyed the performances by Cooper Hoffman and David Jonsson. The novel, however, is more impactful than the film, but it is still worth checking out.

Let’s Get Lost (1988), directed by Bruce Weber, is an excellent and engaging documentary about jazz singer and trumpeter Chet Baker. The footage cuts back and forth between the past and present. The documentary includes interviews with Baker’s family and features great performances by Baker himself.

Remote Control (1988), directed by Jeff Liebermanl. I caught this one on the Criterion Channel. Kind of campy. Might be intentionally bad, but it has an interesting premise as an homage to 1950s sci-fi cinema.

Blackberry (2023), directed by Matt Johnson, is a very engaging movie. At times, the “nerdom” was a little bit over the top. But overall I really enjoyed learning about the rise and fall of the BlackBerry phone. Worth checking out.

Alan Pakula: Going for Truth (2019), directed by Matthew Miele, is a good documentary on Pakula’s film career. The documentary devotes a good portion to Pakula’s paranoia trilogy of the 1970s: Klute, The Parallax View, and All The President’s Men. The documentary made me want to revisit some of his films.

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TV

Jeff Ross: Take a Banana for the Ride (2026). This is a funny and very heartfelt one-man-show about Jeff Ross’s life. It was recently on Broadway and is now available on Netflix. I was very moved by his story, and I highly recommend it.

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BOOKS

I am currently reading Dean Koontz’s new book, The Friend of the Family and am very much enjoying it. I am also reading The Last Kings of Hollywood by Paul Fischer, which I am also enjoying.

 

Watched and Read - March 22, 2026

 Here, what I watched and read last week....

 

 

MOVIES

Rebecca (1940), directed by Alfred Hitchcock, is one of the first Female Gothic films. It is also Hitchcock’s first film after moving to America. The Gothic atmosphere is spectacular, especially in the sequence where the second Mrs. de Winter explores the west wing of Manderley. It is well known that Hitchcock disavowed the picture because Selznick interfered with it, but it’s definitely worth checking out regardless.

Notorious (1946), directed by Alfred Hitchcock, is one of his top films of the 1940s. I read that the Hollywood Production Code—the group that policed film content at the time—would not allow prolonged, lustful kissing between Devlin and Alicia, so Hitchcock had to film around that. The Code even raised an eyebrow at Alicia’s heavy drinking!

Double Indemnity (1944), directed by Billy Wilder, is the quintessential noir film. It has all the classic themes: an unstable world, deception, sexuality, entrapment, and moral ambiguity. Phyllis is one of the best femme fatales, and it’s no surprise she is ranked #8 on AFI’s list of greatest villains. It’s one of Wilder’s finest films.

The Hobby: Tales from the Tabletop (2025), directed by Simon Ennis, is a fascinating documentary about players, collectors, and designers of board games. I knew nothing about this subculture and found it very interesting, especially the section on game designers.

On the Waterfront (1954), directed by Elia Kazan, is one of my all-time favorite films. It is a gritty, realist crime drama. The performances are outstanding, especially those by Marlon Brando and Eva Marie Saint. The score by Leonard Bernstein is also very memorable. It’s an important film that demonstrates how one person’s courage can make a difference for many.

Sinatra in Palm Springs (2018) is an enjoyable documentary that chronicles Frank Sinatra building his home in Palm Springs. You really get a sense of how much he loved living in the desert—his love of food and drink, and his time spent with friends. What surprised me most was the amount of charitable work he did.

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TV

DTF: St Louis. I was mixed on the first episode. But watching the second episode confirmed that this series is not for me. And the product placement is really bad.

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BOOKS

The Amplified Come as You Are: The Story of Nirvana by Michael Azerrad nicely updates his original book from 1993. I very much enjoyed reading Azerrad’s notes alongside the original text. Having lived through Nirvana’s popularity during the 1990s, it’s hard not to think about what direction that the band would have gone in after In Utero. Would Dave Grohl have stayed in the band? Overall, it’s a great read.

 

Watched and Read - March 15, 2026

Here's what I watched and read last week...

 

MOVIES

Star Trek VI: The Undiscovered Country (1991), directed by Nicholas Meyer, is a major improvement over the previous Star Trek film. I especially enjoyed the parallels between the end of the Cold War and the attempt to establish peace between the Federation and the Klingons. Meyer also balances humor and drama effectively. And of course, it wouldn’t be Star Trek without plenty of Shakespeare references.

In the Name of the Father (1993), directed by Jim Sheridan, is a powerful film about the Guildford Four, featuring incredible performances by Daniel Day-Lewis, Pete Postlethwaite, and Emma Thompson. It’s an important film and a moving father-and-son story. A must-see movie.

Paddy Chayefsky: Collector of Words (2025), directed by Matthew Miele, is a great documentary about one of Hollywood’s greatest screenwriters. The film does an excellent job highlighting key monologues and passages of dialogue from Chayefsky’s work, including Marty and Network. I also enjoyed the interviews, particularly with Aaron Sorkin, who is now one of Hollywood’s leading screenwriters. The documentary is currently streaming on HBO and is a must-see for writers.

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TV

Star Trek: The Next Generation. Yes, this has been a Star Trek week! I watched “The Game,” the episode in which Wesley Crusher returns in season five. It’s not a bad episode, though the ending feels a little too easy. It was also nice to see Ashley Judd in one of her early roles. However, “Unification,” Parts I and II, featuring Spock, are really strong episodes. The episodes aired around the time Star Trek VI: The Undiscovered Country was released in theaters, and they are dedicated to Gene Roddenberry, who had just passed away.

Classic Albums: Nirvana – Nevermind (2005) is a great episode about Nirvana’s landmark album, filled with insightful interviews about the band at the time. One of the highlights is producer Butch Vig at the mixing board, explaining how many of the songs were recorded. One thing that is often overlooked about Nevermind is how much Dave Grohl contributed vocally to the album.

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BOOKS

Absolute Recoil by Slavoj Žižek. Because I have read so many of his books, it is sometimes difficult to identify the central premise, as many of them share similar structures. Žižek often returns to examples from his earlier work, but this has never bothered me. In fact, I find the repetition helpful in clarifying complex concepts such as Hegel’s “negation of negation” and the “night of the world.” As always, Žižek draws on Lacan to explain Hegel’s ideas, particularly concepts like the death drive and objet petit a.

 

 

Watched and Read - March 8, 2026

 

Here’s what I watched and read…

 

MOVIES

The Umbrellas of Cherbourg (1964), directed by Jacques Demy, is a very good musical in which every line is sung. Since I don’t speak French, it was sometimes difficult to fully connect the music with the characters’ emotions while reading the subtitles. Still, I thought the final section, when Guy returns home, was outstanding.

Man on the Run (2025), directed by Morgan Neville, is an excellent documentary about Paul McCartney and the formation of Wings. I’ve always loved this period of McCartney’s career and the music he wrote during those years.

Sunset Boulevard (1950), directed by Billy Wilder, is one of Wilder’s best films. I teach it when discussing film stardom and film noir. This semester, I’m also using it to explore the themes of reality, dreams, and illusion.

A Perfect Murder (1998), directed by Andrew Davis, was my second viewing. The first time I saw it was when it was released in theaters, and it didn’t connect with me then. When I noticed the Criterion Channel was showing it, I decided to give it another try, especially since it’s based on Dial M for Murder. Because I’m currently finishing a book on Hitchcock, I was curious to see Davis’s interpretation of the material. My recommendation, however, is to skip A Perfect Murder and watch Dial M for Murder instead.

Videoheaven (2025), directed by Alex Ross Perry, left me feeling very mixed. It’s a very long documentary, and by the end I felt that all I learned was that many movies (a lot that look bad) contain scenes set in video stores. It didn’t evoke much nostalgia for the video-store era, and I was surprised that it didn’t explore the broader relationship between technology and culture. For example, there’s no discussion of changing family dynamics in the United States during the 1970s and 1980s, which was one of the factors that made the VCR appealing. A great book on this topic is Frederick Wasser’s Veni, Vidi, Video.

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TV

DTF: St. Louis. I watched the first episode and I’m not entirely sure about some of the story decisions yet. Still, I like the characters and plan to watch the next episode. It’s great to see Linda Cardellini in the series. Also, Steve Conrad wrote the excellent film Wrestling Ernest Hemingway, which starred Robert Duvall, Richard Harris, Shirley MacLaine, and Sandra Bullock.

The Mystery of Méliès (2021) is a great television documentary currently streaming on HBO. It works both as a biography of Georges Méliès and as an account of how many of his lost films were discovered and restored. Highly recommended.

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BOOKS

I finished Chocky by John Wyndham and think it ranks among his best books, along with The Day of the Triffids and The Midwich Cuckoos. The novel centers on a boy named Matthew who may—or may not—be inhabited by an external entity, possibly an unknown life form. It’s a very engaging story that keeps you guessing from page to page. The ending is especially strong, and the book also includes a great introduction by Margaret Atwood. I highly recommend it.

 

Watched and Read - March 1, 2026

My 100th blog posting!

Here’s what I watched and read…

MOVIES

Rolling Thunder Review: A Bob Dylan Story by Martin Scorsese (2019) is an enjoyable documentary about Bob Dylan’s Rolling Thunder tour in the mid-1970s. I wish it did a better job of contextualizing the tour at the outset, but I really enjoyed the performances. I was also surprised to learn that the great guitarist Mick Ronson toured with Bob Dylan. I mostly associate him with David Bowie. Definitely worth checking out.

The End of the Affair (1999), directed by Neil Jordan, was a second viewing for me. The first time I saw it when it was released on video, and I didn’t care for it. I decided to give it another try because I like some of Jordan’s films, such as Mona Lisa and The Crying Game. I appreciated The End of the Affair more this time. There are strong performances, especially by Julianne Moore, but the film still didn’t fully connect with me.

Raging Bull (1980) is one of Martin Scorsese’s best films and certainly one of the best of the 1980s. It offers an intense portrait of boxer Jake LaMotta (Robert De Niro) that is hard to look away from. One of the most powerful moments occurs when Jake tries to fix the television while questioning his younger brother Joey (Joe Pesci) about what happened at the club with his wife, Vickie (Cathy Moriarty). The scene erupts into one of the film’s most violent sequences, and the television remains unfixed—a striking parallel to Jake’s distorted inner reality. I still can’t believe Scorsese didn’t win the Oscar for Best Director.

Clerk. (2021), directed by Malcolm Ingram, is a very good documentary about indie filmmaker Kevin Smith. I was in film school when Clerks was released and remember classmates talking great things about it. The early ’90s were an exciting time for independent cinema, and I enjoyed learning more about Smith’s artistic journey. Some of his films haven’t connected with me, but I think the three Clerks films are excellent, and I’ve always loved Mallrats.

EPIC: Elvis Presley in Concert (2025), directed by Baz Luhrmann, is a terrific concert film capturing Presley when he returned to live performance after focusing on film acting. It’s the kind of experience that demands the big screen to fully appreciate what a dynamic performer and musician Elvis was. Highly recommended.

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TV

Star Trek: The Next Generation, “Redemption,” Parts I and II, is a great conclusion to a narrative that began in the third-season episode “Sins of the Father,” when Worf accepts discommendation for his father’s alleged involvement in the Khitomer massacre. “Redemption” brings that storyline to a satisfying close. Really strong writing throughout.

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BOOKS

I’m currently reading Chocky by John Wyndham, and so far it’s very good. I’m also reading The Amplified Come as You Are: The Story of Nirvana by Michael Azerrad, which I’m really enjoying as well. It’s such a great deep dive into the band’s history and creative process.

 

Watched and Read - Februrary 22, 2026

 

Here’s what I watched and read last week…

 

 

MOVIES

The Aviator (2004), directed by Martin Scorsese, is an excellent film about filmmaker and aviator Howard Hughes. Leonardo DiCaprio’s performance powerfully captures Hughes’s obsessive-compulsive disorder. The scene in which Hughes locks himself in the projection room is probably the most unsettling moment in the film. Cate Blanchett’s portrayal of Katharine Hepburn steals the show. This film, along with Gangs of New York, marks Scorsese’s turn toward epic filmmaking.

The Color of Money (1986), directed by Martin Scorsese, is a follow-up to The Hustler. The performances are outstanding, especially Paul Newman, who finally won an Oscar for his role. Only Scorsese could create such energetic and cinematic pool scenes. The score by Robbie Robertson is very good, and of course there’s the song “It’s in the Way That You Use It,” performed by Eric Clapton, which I remember MTV playing constantly in 1986. Roger Ebert and Gene Siskel were hard on the film, and I don’t think their analysis was entirely fair. I think it’s definitely worth checking out.

Nirvana: Up Close and Personal (2007), directed by Bob Carruthers, is an okay documentary about Nirvana. Most of the film focuses on Kurt Cobain, featuring interviews with people who knew him in Aberdeen, Washington, including his grandfather and former guitar teacher. Much of the information about the band and Cobain was already familiar to me, but it was still interesting to hear from those who knew him before he became a rock star.

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TV

American Prince: JFK Jr. (2025) is a three-part series created by CNN. It offers a largely surface-level account of JFK Jr.’s life in the 1990s, focusing on the launch of his magazine, George, and his marriage to Carolyn Bessette. It’s not a bad documentary, but I wish it had explored his life in greater depth.

Ray Bradbury: The Illustrated Man is a 1980 documentary produced by the BBC. It’s an excellent film that explores Bradbury’s thoughts on writing, technology, and the importance of reading. I especially enjoyed the segments in which excerpts from his short stories are read aloud and acted. It’s available on YouTube and well worth checking out.

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BOOKS

Martin Scorsese: The Iconic Filmmaker and His Work by Ian Nathan is one of the best books of his that I’ve read. He gives particular attention to films such as Taxi Driver and Goodfellas, though the book provides strong coverage of Scorsese’s career overall. It’s an excellent read and made me want to revisit several of his films.

Widow’s Peak: The Complete Haunting, written by Richard Chizmar and Billy Chizmar, picks up where the 2025 novella leaves off. I very much enjoyed the book. The story has more room to breathe than the novella, though you do have to pay close attention to the slug lines to keep track of where you are. The novel definitely has a Blair Witch vibe. Most of the characters are unlikable (except for the professor) but that makes sense, given what typically happens to the main characters in found-footage horror. I would definitely recommend it.

“I Sing the Body Electric!” by Ray Bradbury is one of my favorite short stories, and I’m excited to teach it in my writing class this semester. I’m pairing it with discussions of utopian and dystopian depictions of technology and science in speculative fiction. This story leans more toward the hopeful, particularly in the way the electric grandmother is embraced by the two boys and their father.

However, the emotional center of the story is Agatha, who is initially skeptical of the electric grandmother but eventually comes around after the grandmother saves her from a car. Cars are often depicted negatively in Bradbury’s work, and it’s no surprise that he himself did not drive.

Reading the story closely, it feels especially relevant today, prompting us to reflect on artificial intelligence and the question of human intimacy.

 

 

Watched and Read - February 15, 2026

 

Here’s what I watched and read last week…

 

MOVIES

Song Sung Blue (2025), directed by Craig Brewer, tells the story of a real-life couple who performed as a Neil Diamond tribute band. Hugh Jackman and Kate Hudson are amazing. I’m surprised Jackman didn’t receive an Oscar nomination, though Hudson did. The musical numbers are strong, but I wish they had done a better job casting Pearl Jam’s Eddie Vedder. He looked a little too young in the film.

High Anxiety (1977), directed by Mel Brooks, is a great homage to the films of Alfred Hitchcock. The story doesn’t entirely work, but that’s beside the point. It’s not as strong as Blazing Saddles or Young Frankenstein, but it’s still worth checking out, especially if you’re a Hitchcock fan.

History of the World, Part I (1981), directed by Mel Brooks, has some genuinely funny moments. The “Spanish Inquisition” musical number is especially good. The French Revolution segment was probably my least favorite, but overall, I enjoyed the movie.

Her (2013), directed by Spike Jonze, is a haunting sci-fi romance about Theodore, who begins dating his operating system. It’s essentially like dating ChatGPT. Even though the film was released in 2013, Jonze anticipates many of the uncertainties surrounding intimacy and AI that are now part of our current digital landscape. An excellent and important movie.

The Age of Innocence (1993), directed by Martin Scorsese, is a visually stunning film with beautiful cinematography. This was probably my fourth or fifth time seeing it, but the romance never fully connected with me. Still, it’s worth watching for the visuals alone.

GoodFellas (1990), directed by Martin Scorsese, is a masterpiece and one of the best gangster films ever made, alongside The Godfather. I love the final stretch of the film, especially when the helicopter seems to be following Henry Hill. Scorsese’s music choices are phenomenal. The long take of Henry and Karen entering the club through the back is one of the greatest shots in cinema. The tracking shot parallels the space Henry commands and controls—it’s both spectacle and an assertion of power, capturing him at one of his highest points in the story. This is Scorsese at his pinnacle. If you want to be a filmmaker, this is required viewing.

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TV

Nothing much to write about this week. I’ve pretty much watched all the series I wanted to see, so now I’m just waiting for the new seasons, especially The Studio and Slow Horses.

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BOOKS

I finished the Cornell Woolrich collection of short stories, which I thoroughly enjoyed. I was surprised to learn how many of his stories were adapted into films.

 

Watched and Read - February 8, 2026

 

Here’s what I watched and read last week…

MOVIES

Eternal Sunshine of the Spotless Mind (2004), directed by Michel Gondry, is one of the top films of the twenty-first century. It debuted at a moment when we were transitioning into Web 2.0. The film raises important questions about archives, memory, and digital media. This is one of Jim Carrey’s great dramatic roles, something he had already established with The Majestic.

Hello, Dolly! (1969), directed by Gene Kelly, might be one of the last musicals of the old Hollywood studio system. The musical numbers outweigh the narrative, but I still very much enjoyed the film. “Put on Your Sunday Clothes” is a great number. I also loved that they filmed part of the movie in the Hudson Valley, where I grew up. I knew exactly where they shot the scene at West Point, not far from Trophy Point. My only complaint is that I thought Walter Matthau was not a good casting choice. Maybe I’m too used to seeing him play Oscar in The Odd Couple or in gritty films like The Taking of Pelham One Two Three.

Wuthering Heights (1939), directed by William Wyler, is a good gothic romance. What stood out to me most is the cinematography. Even before Citizen Kane, you can see Wyler’s interest in deep-focus photography. I was surprised to learn that they shot the exteriors in Thousand Oaks!

I’m Chevy Chase and You’re Not (2026), directed by Marina Zenovich, is an okay documentary. There were some interesting things I learned about Chase, but I was expecting much more. I also felt that some of the music used during the montage clips did not work. I would have loved to see someone like Judd Apatow make the documentary instead.

Sid & Nancy (1986), directed by Alex Cox, is an excellent film about Sex Pistols bassist Sid Vicious and Nancy Spungen. It is a gritty film about drug use that reveals a very dark side of rock stardom. Roger Deakins’s cinematography is amazing. There are also some cool surreal moments, especially the ending.

Mona Lisa (1986), directed by Neil Jordan, is a dark film about prostitution and has a bit of a Taxi Driver vibe. Bob Hoskins is amazing, and it’s no surprise that he was nominated for an Academy Award for his performance. Neil Jordan would go on to direct The Crying Game, for which he won the Oscar for Best Original Screenplay.

TV

I recently watched the Star Trek: The Next Generation episodes “The Best of Both Worlds” and “Family.” This is an incredible run of serialized episodes. “Family,” written by Ronald D. Moore, explores Picard wrestling with his experience as a Borg. You can see how Moore is becoming a key writer on the series.

All Creatures Great and Small, season six. Every season is wonderful. This season was especially emotional, particularly Tristan’s struggle with PTSD after the war. It’s a great show that gives all the warm, cozy vibes.

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BOOKS

Widow’s Point, written by Richard Chizmar and Billy Chizmar, is a very good novel about a haunted lighthouse. I really enjoyed the way the authors tell the story, using video recordings and audio confessions. The best parts of the novel are the backstories of the different characters who were mysteriously killed after either visiting the lighthouse or living there.

 

 

Watched and Read - February 1, 2026

 

Here’s what I watched and read last week…

 

 

MOVIES

Blue Moon (2025), directed by Richard Linklater, centers on lyricist Lorenz Hart, played by Ethan Hawke. The film takes place over the course of one evening at Sardi’s restaurant after the premiere of the musical Oklahoma! I enjoyed the conversations about high and popular art. As with many of Linklater’s films, the dialogue is well written. This is definitely one of Hawke’s best performances.

Collateral (2004), directed by Michael Mann, is one his best films. It’s a great neo-noir that unfolds over the course of a single night and also functions as a journey through Los Angeles.

WALL-E (2008), directed by Andrew Stanton, is up there as one of the greatest animated films. The film presents a dystopian vision of technology, evident in what has happened to Earth. At the same time, the relationship WALL-E and EVE form invites us to reflect on what makes us human. It’s a powerful sci-fi story that doesn’t argue that all technology is bad, but instead asks us to think about how we choose to use it. I think the film is even more relevant now than it was in 2008. A great film.

Dr. No (1962), directed by Terence Young, gets the Bond franchise off the ground. There are some great moments, including the spider-in-the-bed scene with 007 and the chase on the island. Many of the Bond films are currently on Netflix, which I plan to revisit. I’ve seen all of them many times, and they’re always fun to watch.

From Russia With Love (1963), directed by Terence Young, is a nice follow up to Dr. No. The train sequence is very good. And Robert Shaw is so young! 

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TV

Mel Brooks: The 99-Year-Old Man! (2026), directed by Judd Apatow and Michael Bonfiglio, is an excellent documentary that chronicles the life of actor and director Mel Brooks. I love that Apatow continues to make documentaries about comedians.

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BOOKS

I am currently reading Cornell Woolrich’s short stories. Woolrich is best known for “It Had to Be Murder,” the short story on which Rear Window is based. So far, all of the stories are engaging, with plenty of cool twists. Many were written during the dire days of the Great Depression, which adds even more depth to these crime stories.