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Thank you for visiting my blog. I’m a scholar of television, film, and digital media, and the author of CINEMA OF CONFINEMENT (Northwestern University Press) and CAPTURING DIGITAL MEDIA (Bloomsbury Academic). I’ve published a variety of articles on film and television in journals published by Taylor & Francis. I am also a writer of fiction. All of my books can be viewed on www.tomconnellyfiction.com
Showing posts with label stranger things. Show all posts
Showing posts with label stranger things. Show all posts

Sunday, January 4, 2026

Watched and Read - January 4, 2026

 

Happy New Year! 

Here’s what I watched and read last week…

 


 

MOVIES

The Lost Bus (2025), directed by Paul Greengrass, is an intense survival narrative. Matthew McConaughey is excellent, and the film’s special effects are awesome. I’m not sure whether the film is eligible for Academy Awards, since I don’t think it had a theatrical release, but it is definitely worthy of some nominations. Greengrass previously directed United 93, a film I don’t think I could ever watch again, but he clearly knows how to create tension and suspense.

The Mastermind (2025), directed by Kelly Reichardt, is a slow-paced story about an art thief played by Josh O’Connor. The film has a touch of Robert Bresson’s influence and reminded me of Pickpocket and L’Argent. A good film overall.

Once Upon a Time in China (1991) features martial arts sequences that are much stronger than the story. If nothing else, it’s worth watching to see Jet Li, who is amazing.

City on Fire (1987), directed by Ringo Lam, is one of the better Hong Kong action films I’ve seen recently. This is the film that influenced Quentin Tarantino’s Reservoir Dogs. Definitely worth checking out.

The Big Sleep (1946), directed by Howard Hawks, is one of the most complex stories in the film noir canon. If film noir is defined by its labyrinthine plotting, this may be the ultimate example. I won’t even try to summarize the plot, but I agree with Roger Ebert’s view that the film isn’t about solving the mystery so much as experiencing the process.


TV

Stranger Things. The fourth season was one of my favorites, but I also enjoyed the fifth and final season. I particularly liked the last episode and thought the Duffer Brothers did a nice job wrapping up the story. There are always going to be complaints about series finales—the only one I can think of that avoided this was Breaking Bad.

One of the things that impressed me most was how well the Duffer Brothers mapped out the characters. Stephen King is one of their major influences, and it’s worth noting that his epic novels—’Salem’s Lot, The Stand, Needful Things, and Under the Dome—all feature ensemble casts. King is great at weaving a complex tapestry of characters without confusing the reader, and I felt the same way about Stranger Things. It will be fun to watch the entire series straight through.


BOOKS

James Patterson’s Return of the Spider is one of the top books in the Alex Cross series. I think the novel works best for longtime fans of the series rather than for readers who have never read a Cross book. That said, newcomers shouldn’t avoid it altogether. Having read all of the Cross novels, I found this one especially effective as a backstory.

Understanding Lacan’s Objet A by Juan Pablo Lucchelli is an excellent book on how Lacan developed the concept of objet petit a—the object-cause of desire. For Lacan, the subject is always divided between consciousness and the unconscious. Once one becomes part of the symbolic order, one becomes a subject of desire, which means the subject must tarry with lack for the rest of their life. This is what Lacan terms the barred or split subject. However, Lacan also argues that there is a remainder—what he calls objet a, the lost, impossible object. If you want to read about objet a in more detail, check out my blog post. Another great example is Slavoj Žižek’s analysis of Coca-Cola in The Pervert’s Guide to Ideology.

 

Sunday, November 30, 2025

Watched and Read - November 30, 2025

Here’s what I watched and read last week…


 

MOVIES

Apollo 10½: A Space Age Childhood (2022) is an animated film that takes place in 1969, not long before Apollo 11 lands on the moon. The story is told through the eyes of Stanley, a fourth grader living in the Houston suburbs. What I loved about the film are the small details Linklater captures from the era—food, TV shows, board games, pop music, and more. Linklater’s emphasis on the everyday is never boring; I found myself completely absorbed by the film.

Sangre Del Toro (2025) is a documentary about filmmaker Guillermo del Toro and his love of horror. I’ve heard del Toro speak many times on horror and the Gothic—especially in his video on Bleak House—but this is by far the most in-depth exploration of his passion for the genre.

Big Eyes (2014) tells the true story of Margaret Keane, an artist known for her paintings of figures with oversized eyes. It’s a low budgeted film directed by Tim Burton, and Amy Adams and Christoph Waltz deliver excellent performances—I’m surprised they weren’t nominated for Academy Awards. The costumes and sets are outstanding. The court sequence is a bit over the top, but overall I really enjoyed watching Burton’s film.

Marvin’s Room (1996) is a powerhouse of actors, starring Diane Keaton, Meryl Streep, Leonardo DiCaprio, and Robert De Niro. It’s a strong story with excellent performances, particularly from DiCaprio, who would go on to become a global star later in the 1990s.

Quadrophenia (1979) is based on The Who’s 1973 rock opera and follows Jimmy, a Mod living in 1960s England. Whereas Ken Russell’s Tommy (1975) uses surrealist imagery to capture The Who’s first rock opera, Quadrophenia emphasizes realism and working-class grit. Phil Daniels convincingly embodies Jimmy’s schizophrenia, and it was cool to see a young Sting play the Ace Face. An excellent film from one of my all-time favorite bands.

Eddington (2025). Ari Aster’s new film is kind of a mess. There are some funny moments, and I always love seeing Joaquin Phoenix on screen, but it felt like I was watching two different films. The mix of graphic violence and comedy didn’t work for me. And, like Beau Is Afraid, the movie went on too long.

Moonrise Kingdom (2012). I watched the Criterion edition, which looks amazing. There are some great extras, including a making-of feature. Moonrise, along with The Grand Budapest Hotel, represents Wes Anderson at his best.


TV

I finished the first and second seasons of Slow Horses. Both seasons were exciting. I love the labyrinthine storytelling, with all its twists and turns. The characters from Slough House are complex and interesting, especially Jackson Lamb (Gary Oldman). I’m looking forward to season 3.

Watching season 5 of Stranger Things took me a little time to settle into the story, especially while trying to ignore how much older the characters have gotten. But I’m really enjoying it. It definitely feels like the show is moving toward its endgame. I love the crosscutting between the different storylines—it’s such an engaging series. I just wish they hadn’t broken the season into parts.

Welcome to Derry has a Stranger Things vibe but is much darker. They just introduced an element from Doctor Sleep connected to Dick Hallorann’s character, which I won’t spoil. There are only three episodes left, and I’m curious to see how it will all come together.


BOOKS

King Sorrow is Joe Hill’s latest novel and might be one of his best. If you haven’t read it, I won’t say much about the plot, but there’s definitely a dragon involved—something the cover makes clear. The novel is epic in both scope and storytelling, blending fantasy and horror with medieval scholarship. There’s plenty of humor, but it’s never snarky, and I love all the references to popular culture. I’ve read most of Hill’s work and think he’s one of the best descriptive writers out there. Don’t be intimidated by the novel’s length—it’s never boring.



 

 

Watched and Read - January 18, 2026

 Here's what I watched and read last week...   MOVIES La La Land (2016), directed by Damien Chazelle , is a masterpiece. It is not only...