The story basically centers on Kevin Thorn aka "The Storymaker" who wants to re-write the universe with his magic pen. To do this, he draws upon the "genres," which are played by characters such as western, blockbuster, comedy, noir, and science-fiction. The Fables team, with the help of "The Literals," try to stop Thorn before he re-writes them out of existence! This was a fun and engrossing read. In fact, if you plan to read Fables, I suggest starting at the beginning. Another gem from Vertigo comics.
About Me
- Tom Connelly
- Thank you for visiting my blog. I’m a scholar of television, film, and digital media, and the author of CINEMA OF CONFINEMENT (Northwestern University Press) and CAPTURING DIGITAL MEDIA (Bloomsbury Academic). I’ve published a variety of articles on film and television in journals published by Taylor & Francis. I am also a writer of fiction. All of my books can be viewed on www.tomconnellyfiction.com
Saturday, January 19, 2013
Fables - The Great Crossover
The story basically centers on Kevin Thorn aka "The Storymaker" who wants to re-write the universe with his magic pen. To do this, he draws upon the "genres," which are played by characters such as western, blockbuster, comedy, noir, and science-fiction. The Fables team, with the help of "The Literals," try to stop Thorn before he re-writes them out of existence! This was a fun and engrossing read. In fact, if you plan to read Fables, I suggest starting at the beginning. Another gem from Vertigo comics.
Random Review - January 19, 2013 - Peyton Place
For fans of the television show Twin Peaks (1990-1991), Peyton Place is important to film to view. David Lynch has acknowledged its influence on the show. There are many similarities between both the television show and the film: the main source of employment is a mill; many of the characters are high school teenagers; the postcard images of a small town and the values of its community. But most importantly is the dramatic tension in concealing secrets. Of course, Twin Peaks was marketed as a murder mystery: who killed Laura Palmer? In Peyton Place, there is a desire to know each others' secrets, which generates most of the narrative tension. The patrons of Peyton Place constantly watch each other, causing one another to be conscious of their own looking.
Peyton Place is also know for its powerful use of Cinemascope photography. There are many breathtaking shots of New England that I am sure play better on the big screen. Cinemascope and Cinerama were new technologies created in response to the popularity of television and the changing leisure habits in the USA.
But it would be wrong to suggest that the widescreen images of Peyton Place are there just for purely spectacle means. These gorgeous shot must be considered in relation to the space the characters inhibit. The small town of Peyton Place is where sexuality and intimacy are taboo. These secret places, by way of contrast, are where the young characters can escape to in order to be intimate and to express their feeling...one of many things to enjoy about Peyton Place.
Saturday, December 15, 2012
Top Films 2012
A significant experimental documentary about the process of filmmaking. Worthy of noting is Greaves' creative use of split screen processing. I hope more people discover this film.
Wes Anderson continues to make interesting coming of age drama/comedies.
This is clearly up there with the great films of the Bond franchise. Javier Bardem's long take entrance and monologue about rats was absolutely brilliant. Great action film that actually raises some interesting points about transparency, surveillance, and terrorism in the digital age.
Made by one Italy's best filmmakers. Long, slow, beautiful, and ethereal. The wedding sequence at the end is unbelievable.
From Here to Eternity (1953)
One of the best performances of the year. Black should be nominated for an Academy award. I love the structure of the film - reminded me of Bob Fosse's Lenny (1974).
Wednesday, December 12, 2012
Random Review - December 12, 2012 - Unfaithfully Yours
Monday, December 10, 2012
Top Non-Fiction Books 2012
Wood's sociological and cultural studies account of the straightedge music scene greatly contributes to the field of subculture. Wood's central argument is that when members become disenchanted with the values of their subculture, sub-groups form out what he refers to as "schisms." Straightedge was a result of a schism in the punk rock and hardcore scenes of the early 1980s. This is a great companion piece to Dick Hebdige's Subculture: The Meaning of Style.
I became interested in Hayles' work in a course I took at Claremont Graduate University on Visual Research Methodologies. Hayles' book explores the question of embodiment, materiality and virtuality in the age of high technologies. A complex read, yet totally rewarding. I learned a lot about cybernetics.
Saturday, December 8, 2012
Top Fiction Books 2012
The story of Michael Henchard begins with him getting drunk at a fair and then selling his wife. Remorseful of his actions, he gives up the drink and eventually becomes the mayor of Casterbridge. When I read the back cover of this book, my first though was that this book has to be read. A great melodrama. One scene worthy noting is when the townspeople skimmity ride through the town to publicly shame Henchard and Lucetta. This part of the story demonstrates that big new scandals and carnivalish ways of gossiping have been around for quite a while. Hardy leaves us wondering whether or not this is a novel of fate. Probably one of the best books I have ever read.
One of the great all-time science-fiction novels about Griffin (the invisible man) who takes residence in a small village to conduct his research. Griffin eventually turns to robbing the villagers in order to generate money for his rent. Once the villagers discover that Griffin is invisible, a mob is formed and they attempt to capture him. I kept thinking about Michel Foucault's work on the panopticon as I read this. In many ways, Griffin intensifies the villagers' sense of looking and self-scrutiny in a sort of surveillance fashion. When it comes to surveillance, Foucault argues that it is not that someone is actually watching you that makes the panopticon effective. It is the fact that you don't know if someone is watching you and what internalizes the gaze. I believe Griffin has this effect on the villagers.
Franzen covers a lot of ground in this long tale of the Berglunds family. Franzen takes his time, providing the reader a detailed account of each character. The description and dialogue are excellent here. The storytelling is non-linear, suggesting the disconnection of the Berglunds. I particularly love the character Richard, a disenchanted punk rocker who has a sort of strange relationship with Walter Berglund. Though not as great as The Corrections, this was a long, yet rewarding read. Franzen is one of our best contemporary writers.
Yates' gritty and melodramatic novel about of the Davenport couple. For more, see my random review.
Joyce's beautifully written novella at the turn of the twentieth century. See my random review on John Huston's film adaptation.
Vonnegut's novel tells the story of Howard W. Campbell Jr, an American Nazi playwright living in New York city. See my random review about the film adaption.
Saturday, November 3, 2012
Random Reviews - November 3, 2012 - Young Hearts Crying and Watchmen
This was a book recommended to me by my wife who has read all of Yates' work. Yates is known widely for his book Revolution Road, made recently into a film directed by Sam Mendes. This is a powerful and gritty book about the marriage and divorce of Michael and Lucy Davenport. It spans almost forty years, beginning with Lucy and Michael's meeting at Harvard and their marriage in the 1940s, ending somewhere in the late 1970s. The novel's twist is that Lucy comes from money and has inherited 3 million dollars. But Michael refuses to live the life of a wealthy couple, and decides they should live by everyday means. This is because Michael is an aspiring poet and believes that wealth will distract his passion and imagination as a writer. This is a brilliant move on the part of Yates, because it directly taps into the novel's emotional realism about creativity and the struggle of the everyday, something one would likely find in the works of Charles Bukowski.
Young Hearts Crying has similarities to the emotional experience of watching a John Cassavetes film. Yates' minimalist and Hemingway-ish dialogue is pungent and hits you right in the gut, so to speak. The dialogue also indicates the novel's passage of time. For example, you can hear Michael's dialogue changing as he becomes older. I also could not help noticing how many moments in the novel are reminiscent of the character Pete Campbell from the show Mad Men. One wonders how much inspiration Matthew Weiner may have gotten from Yates's work?
Michael and Lucy have their own separate stories after their divorce, as they each try to pick up the pieces and carry on with their lives. Part of their struggles stem from the desire to create, whether its Michael hyper-focusing over one line of dialogue in his poem, or Lucy seeking approval for her paintings from her neighbor and artist Nelson. Like the book itself, its about tapping into those deep emotions and trying to find the right word or image to convey expressions of loneliness, melancholy or frustration.
Watchmen has had a long history in Hollywood. It was acquired by Hollywood in the late 1980s, and a number of directors have been attached to the project, including Terry Gilliam. I even purchased a copy of the screenplay in the late 1990s from a nascent eBay. When I finally heard the film was actually in production, and then saw a trailer in 2008, I was quite eager to see how director Zack Snyder (Dawn of the Dead, 300, Sucker Punch) would adapt what many have called the "Citizen Kane" of comic books to the screen.
Snyder compacts twelve chapters of Watchmen into roughly a three hour film. The set design and art direction of the film are magnificent. The film's use of colors and light, in many ways, reminded me of Kubrick's A Clockwork Orange. I would even go as far as to add that the film has a sort of surrealistic quality. I also love how Snyder incorporates popular music as part of the score. Rorschach, played by Jackie Earle Haley, is fantastic and has a Taxi Driver/Travis Bickle-like quality. As a side note, I highly recommend reading Rorschach's back story in Before The Watchmen, written by Brian Azzarello, writer of 100 Bullets.
Many reviews for Watchmen have not been enthusiastic. Yet, I believe that as time passes, Watchmen will be considered a significant film in the cannon of the comic book film genre. Putting that aside, Watchmen, as a graphic novel, is arguably an important work of literature of the twentieth century. Overall, I think the film is quite entertaining and something of a tour de force for its tone, art, and set design.
Watched and Read - September 27, 2026
Here's what I watched and read.... MOVIES Jackass: Best and Last (2026), directed by Jeff Tremaine, is a mix of old and new skits and...
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When I first taught world cinema, I knew I wanted to assign Ingmar Bergman's The Seventh Seal (1957). But when the time came to put my ...
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I teach Danny Boyle's brilliantly directed film Trainspotting in a number of my film courses on the topic of British Cinema and transn...
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The Lacanian gaze is one of the hardest concepts I teach for my Film Theory course. The way we commonly think of the gaze (to look) is not w...



































