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Thank you for visiting my blog. I’m a scholar of television, film, and digital media, and the author of CINEMA OF CONFINEMENT (Northwestern University Press) and CAPTURING DIGITAL MEDIA (Bloomsbury Academic). I’ve published a variety of articles on film and television in journals published by Taylor & Francis. I am also a writer of fiction. All of my books can be viewed on www.tomconnellyfiction.com
Showing posts with label Trainspotting. Show all posts
Showing posts with label Trainspotting. Show all posts

Saturday, April 27, 2019

Trainspotting - Watching While Flat on Your Back

I teach Danny Boyle's brilliantly directed film Trainspotting in a number of my film courses on the topic of British Cinema and transnationalism (how the film appeals internationally). This is most notable in the film's famous opening "Choose Life" sequence over Iggy Pop's "Lust for Life." Here, American music is played alongside the national/regional of Edinburgh.


Trainspotting is one of a number of films of the 1990s (Pulp Fiction, Permanent Midnight and Basketball Diaries) that explores the dangers of heroin use. A point I brought up in my class is how frequently Renton (Ewan McGregor) is shown lying on his back, particularly when shooting up heroin and how it pertains to being a trainspotter.




In Murray Smith's fantastic BFI book, he explains the various meanings of "trainspotting." He writes: "To be a trainspotter-in the literal sense-is to stand for hours, in the same place, watching trains go by. To board a train is to go somewhere, to move on" (17). 


When Renton decides to stop using heroin, he quickly stands up and "chooses life." After his near death experience from overdosing on heroin, Renton goes through a harrowing experience of withdrawl. He then moves to London to better his life.



And then Begbie (Robert Carlyle) shows up at his door. Begbie, as Murray Smith points out, is a dark and frightening depiction of "new lad" culture.


Begbie's arrival at Renton's flat demonstrates the film's engagement with fate. Here, we can see a dimension of film noir at work in Trainspotting. Renton can choose life, but he did not choose Begbie arriving at his doorstep who happens to be on the lam for armed robbery.



The third act of film entails Renton, Begbie, Sick Boy and Spud orchestrating a drug deal, which lands them 16 thousand pounds. But instead of sharing the money four ways, Renton steals the money and flees. Though, he does leave Spud some money.



Trainspotting's depiction of heroin is both comical and frightening. In many ways, it is a neo-noir film not unlike Fight Club or Requiem for a Dream. Perhaps more frighteningly is Renton's clownish expression as he returns the gaze at the end of the film. Renton is choosing life again. But has he really changed? Here, Renton's distorted expression is reminiscent of the ending of A Clockwork Orange when Alex (Malcolm MacDowell) says "I was cured all right." Of course, the ludovico technique did not work for Alex. And choosing life might not work for Renton.



And let's not forget that Renton switched Tommy's sex tape with his girlfriend with his greatest soccer goals video cassette. This event leads to the break up of Tommy and his girlfriend, which leads to Tommy doing heroin for the first time and then dying of AIDS.


Renton never acknowledges or shows remorse for playing a role in Tommy's death. During the scene when Tommy is dying, Renton happens to be kicking a soccer ball near a poster of Iggy Pop, Tommy's favorite musician. But ultimately, Tommy chose to do heroin.



Indeed, Renton is an unreliable narrator, whether he's lying on his back and high on heroin while life passes him by, or choosing life...

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