About Me

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Thank you for visiting my blog. I’m a scholar of television, film, and digital media, and the author of CINEMA OF CONFINEMENT (Northwestern University Press) and CAPTURING DIGITAL MEDIA (Bloomsbury Academic). I’ve published a variety of articles on film and television in journals published by Taylor & Francis. I am also a writer of fiction. All of my books can be viewed on www.tomconnellyfiction.com
Showing posts with label Tom Connelly. Show all posts
Showing posts with label Tom Connelly. Show all posts

Friday, February 18, 2022

Flight Unknown

My novella Flight Unknown will be released on February 22 on Amazon. It is a story about a strange occurrence that happens on a red-eye flight to New York form London. Seven passengers and a flight attendant realize they're the only people on board who aren't in a coma-like sleep.

 

 

The idea of the story came about when I saw troubling news reports on airlines during the early part of the pandemic. On top of that, I had been watching a lot of George R. Romero films. I was also binge watching The Twilight Zone.

In particular, the Zone episode The Odyssey of Flight 33 had a big influence on my story. I am also a big fan of Lost.  All of those texts were inspiring for me.

One thing I was really excited about this project was the opportunity to write a group of characters who don't know each other, but have to work with each other in order to stay alive. I certainly looked to Stephen King who has written many of these types of situations, such as Desperation, Maximum Overdrive and "The Langoliers." 



Flight Unknown was a ton of fun to write, and I hope everyone enjoys it. Please check out www.tomconnellyfiction.com for updates and to sign up for my newsletter.

 


Be safe.

Wednesday, June 19, 2019

Sky-Boxx (aka Skybox NY)

What follows is a short history of my band from the 1990s called Skybox. These are the liner notes for the CD booklet that was included in the Whole Ep. In 2013, we had to change our name to Sky-Boxx for legal reason in case you're wondering. And be sure to check out our music on Spotify and Apple Music.

 It seems that a history of an underground music scene must always include musicians moving from band to band, drawing upon each other’s resources, and growing a tree of talent that sprouts and expands. Guitar could be your main instrument, but you still could be called upon to play bass if needed. The hardcore and metal scenes of Orange County, New York in the early 1990s were no strangers to this phenomenon. In the case of Skybox, the band emerged as a side project for Tom Connelly, drummer and co-founder of All Out War. Its origins began with a four-track demo recorded by Connelly in the winter of 1991.


Influenced by thrash and hardcore, the four-song demo ranged from the crossover sounds and styles of Leeway and Rest in Pieces to Carnivore and Crumbsuckers. The demo caught the attention of Lou Iuzzini and Chris Chisholm, who played for a thrash band called Society for Sale. With Chisholm playing bass, Iuzzini on drums and Connelly on guitar, the three began rehearsing as a side project throughout the summer of that year.



It was also around that same time that Connelly, Jim Antonelli, Mike Score, and Sam Carbone (RIP) were putting together the pieces of what would become All Out War. Antonelli joined Connelly’s side project band on lead vocals. Officially calling their band Sick Joke, the four recorded their first demo in the winter of 1992. As the aggressive and heavy style of All Out War gained attention in the North East, Sick Joke began focusing on the melody and quieter side of their song writing. With Duane Lopez, guitarist of Society for Sale, now taking over bass duties, they changed their name to Skybox, playing shows in and around the Hudson Valley. When Lopez took a temporary leave, local guitarist Greg Melnick filled in on bass, helping to build Skybox’s new sound. 



In the Fall of 1993, Connelly left All Out War to attend college. Soon, Antonelli departed Skybox, putting the band on hold. But it wasn’t long before Todd Eisgruber joined the band, taking over on vocals and bass. Lopez switched to lead guitar, which gave Skybox a fuller sound. With a new lineup and new sound, Skybox was no longer relegated to a side project. Around that same time, Anthony Paranzino (RIP) formed a small independent label called Infamous Records, and offered to record Skybox as an upcoming release. In the Spring of 1994, Skybox and Paranzino went into the studio to record 13 songs. Although the album was never completed, Paranzino continued to be a strong supporter of the band, booking them shows in the Hudson Valley and venues in New York City. But in the Fall of 1994, Skybox went on hold again, with the departure of Iuzzini and Lopez. 


In the Spring of 1995, Nick Verdichizzi (drums) and Ted Williams (guitar) joined the band with Connelly and Eisgruber. The four would remain the core of the band until 1996 when Skybox officially dismantled. It was during this period that the band wrote and recorded some of their best work. The “Whole” EP was recorded in the summer of 1995 by Jacques Cohen (RIP) at The Space in Poughkeepsie, New York. The six songs on the EP span the timeline of Skybox, beginning with “Sunlight,” “Dead by the Sea” and “Fade,” written in the fall of 1992, and ending with the beautiful and melancholy “Shoes,” written by Eisgruber in 1994. In 1996, we began recording a second batch of songs (9 total) that we did not finish. 4 of those songs (the unfinished versions) are now available to stream, which includes No Deposit No Return written for my short film.


The zigzag and stop-go history of Skybox may have prevented their music from making a big splash, but the band has indelibly left a trace of itself in the Hudson Valley music scene.

Thursday, March 28, 2019

No Deposit No Return

No Deposit No Return is a short film I made when I was an undergraduate student at Long Island University. I shot the film in the summer of 1995 in the Hudson Valley (mostly in Newburgh), and I completed the editing and sound production at the end of 1996.  The film officially premiered in May of 1997 at the Athens International Film Festival in Ohio.

 

I had a lot of fun shooting the film with my friends. I was 23 years old and my first time writing a screenplay. I had great advice from my college professor who encouraged me to write something personal. The story was based on some of my experiences working at a beverage store. My job was to take care of recycling empty bottles and cans. I've seen a lot of interesting folks bring in their "empties" as they called them. I also saw homeless people who would return their empties for money. 


Once I began editing the film, I had to go back to the Hudson Valley for some re-shoots. In fact, some of the close-ups in the film were filmed in the dead of winter! The sound was the most complex part in the post-production of the film. As you will hear, there are crickets during the abandoned basketball court scenes. The crickets were there when we shot those scenes. So, I had to add more crickets to balance the sound mix. The film was shot on 16mm sound sync color film. I used a CP 16mm camera and a Bolex. I chose Kodak's slowest film stock because the film was shot mostly outside. The colors look amazing on the actually print of the film. I do plan to transfer the 16mm print to HD.

 
Except for the song I wrote at the end of the film, I used copyrighted music - clearly a mistake on my part. Believe me, no one made any money from this film! But word to the wise, do not use copyrighted music unless you get permission.


No Deposit No Return did screen at some film festivals. It won a certificate of merit at The Long Island Film Festival in 1997. Looking back, I am very happy for what I achieved in this film for only being in my early twenties. I hope you enjoy the film.

Wednesday, December 16, 2015

The Bells - Now Available

My second novel The Bells is now available on Amazon. For three years (on and off) I've worked on this novel. It is my second book, which focuses on the Hudson Valley, the same setting of my first novel The Postcard. I am planning to write a third book that will also involve characters from The Postcard and The Bells. I never set out to make a trilogy, but I guess I'm heading in that direction.




The last time teenager Mark smoked marijuana, he heard the chime of bells ringing in his head. He promised himself to never smoke again. Tonight, he will break his vow so he can impress his best friend's sister, whom he wants to court. Gabby makes local commercials to fund her documentaries. She's trying to end her affair with Anthony, who's on the verge of a nervous breakdown from running an eco-friendly car wash. But to do it, she must confess the affair to her husband, who's an out of work professor of Chaucer studies.The three are part of a host of characters whose paths mysteriously and ludicrously intersect during Halloween in 2008 in New York's Hudson Valley as they search for meaning and connection.  

Update: August 2019. I am currently writing the third book on the Hudson Valley called The Mansion. I hope to have the book available in 2020.  

Thursday, February 5, 2015

The Bells - Coming this spring

I am putting the final touches on my second novel "The Bells" which will be released this summer on Amazon. This is the second book of my Hudson Valley trilogy.

 

The last time teenager Mark smoked marijuana, he heard the chime of bells ringing in his head. He promised himself to never smoke again. Tonight, he will break his vow so he can impress his best friend's sister, whom he wants to court. Gabby makes local commercials to fund her documentaries. She's trying to end her affair with Anthony, who's on the verge of a nervous breakdown from running an eco-friendly car wash. But to do it, she must confess the affair to her husband, who's an out of work professor of Chaucer studies.The three are part of a host of characters whose paths mysteriously and ludicrously intersect during Halloween in 2008 in New York's Hudson Valley as they search for meaning and connection.

Favorite Books on Cinema - Part 3

I came across The Language of New Media in a film theory course I took when I was working toward my Ph.D. It is not a book exclusively on c...