Edgemont, Lipstick and Cigarettes, Fear Report

I wanted to give a shout out and support to my friends who recently released music this past summer, including myself.  Overall, I was blown away by the music on these three releases.  The sound quality and musicianship are all excellent here.

First up is my friend Anthony's band Edgemont, from Minneapolis, who released their EP entitled Like It Is.

Anthony and I have been friends for a long time and have shared tons of music that we have written over the years. I was very excited to hear about the release of his EP, which was a long time in the making.  There are many musical influence the make up the seven songs of Like It Is. There are traces of Coldplay, Alice in Chains and Pearl Jam. What I really enjoyed about these seven songs is the hypnotic sound and poetic lyrics.  My favorite tracks are "Uncomfortable Comfort" and "Things I've Known."

Second is my friend Erik's band Lipstick and Cigarettes from New Jersey.

Like Anthony, Erik and I have been good friends for a long time.  We were both drummers and played in hardcore bands in high school. Erik and I use to share my drum set and played in a band together called Harsh Reality.. 

I just downloaded Lipstick and Cigarettes' new release entitled About Last Night. There are so many styles happening in these songs. The Killers mixed with the Yeah Yeah Yeahs and Interpol and a spice of Goth.  I love the 1980s pop sound, especially the Ric Ocasek influenced vocals.  Stand-out tracks are "About Last Night" and "Alibi."  I also highly recommend their first EP self entitled Lipstick and Cigarettes.

Last is my friend Dan's band Fear Report.  Dan and I met in film school on Long Island. Dan runs a great website called IndieTalk.  He also wrote and directed an excellent short film called To Skin a Cat - shot on beautiful black and white film. So one day Dan tells me he started a band.  I never knew Dan had the chops for singing!

I highly recommend his new album Pandemic.  These 13 songs encompass a range of styles - Chevelle, Stone Temple Pilots, Cold, and Faith No More.  There's even a flavor of punk thrown in.  I really enjoyed the tracks "Wasting" and "5 Dirty Cents" - overall, a great batch and diversity of songs on Pandemic.

Edgemont, Lipstick and Cigarettes and Fear Report are all available for purchase on Itunes.  And visit their websites for shows and updates.  I love that independent bands use the Internet as a source to circulate and promote their music independently.  This is not to suggest that the Internet is solely responsible for their music - it just makes it easier to share and transmit their music.  

But getting reviews and comments can be challenging for independent artists.  So I hope I can help support them with this posting.  Congrats to my friends for continuing to write and record great music.

The Pleasure of the Text - Video Essay

The purpose of this video essay is to apply Roland Barthes theory of text of pleasure and text of bliss to the realm of visual and performative arts. 

 

 A question I pose is what emotional effects do these sounds and images produce for the viewer?  And do they reflect the textual effects Barthes describes in The Pleasure of the Text?

The first part of the video examines Barthes distinguishing between the text of pleasure and the text of bliss (which is also referred to as the readerly and writerly text). Barthes argues that the text of pleasure is a closed text because it situates the reader in a comfortable and pleasurable position.   For example, a majority of Hollywood films would fall under the text of pleasure, because they aim to situate the viewer as if they are right in the middle of the action without drawing attention to the production of the image unfolding on screen.

The text of bliss disrupts one’s readership—revealing gaps, ruptures and disturbances within the text.  Barthes postulates that the text of bliss is jouissance (pure enjoyment) because it breaks down the unity of the signifying chain.   Another way to put it is that the text of bliss attempts to go beyond meaning.  As Barthes notes, “it unsettles the reader's historical, cultural, psychological assumptions, the consistency of his tastes, values, memories, brings to a crisis his relation with language” (14).  The text of bliss finds itself in close association with the surrealism and avant-garde art. 

The last part of the video explores Barthes’ final concept in The Pleasure of Text, which he describes as the “grain the voice.” Barthes states that the “grain of the voice, which is an erotic mixture of timbre and language, can therefore also be, along with diction, the substance of art of guiding one's body…. [T]he language aligned with the flesh [is] a text where we can hear the grain of the throat” (66). For Barthes, the grain of the voice is not the language that speaks the body, but the body that speaks the language.

I found the grain of the voice concept breaking away from the binaries of the text of pleasure and text of bliss.  The grain of the voice demonstrates how text of pleasure can register moments of abstraction or bliss or even transcendence.  I believe the last clip on Ian Curtis from the post-punk new wave group Joy Division performing “Transmission” exemplifies how his passionate singing captures the grain of the voice—how Curtis’ body language attempts to go beyond meaning within the realm of pop culture.